I still need to know what the schedule for Taiwan is looking like. The Rocker talked about 2 months of creation being in July and August but he also mentioned that I might be off in July and that we may need a month of preproduction in October. This may conflict with offers I have to direct in Boston in September and October that I might be able to ask between 500 and 1000 USD a week in addition to per diem, but if July is off, I might try to push their project to July which would give me a chance to go back to the US with a much better idea of budget, cast, etc, to pitch to our contacts there. I just have to see if it would a problem to fly me in to the festival from the United States instead of Japan. In any case, for now I am keeping my schedule free after the festival in case there are any opportunities that pop up.
It’s hard for me to explain to my family and friends what I am doing. I do not like to talk about anything until it is definite; that’s a good way to get a reputation as a guy who talks a lot but doesn’t get anything done. I have to keep my mouth shut. As it is, out of about every 10 potential projects we get, only 1 comes through.
I am enjoying my job a lot. Basically, I organize special events, set budgets, find acrobats, arrange their fees and their airplanes and hotels and all that, and then help direct the event. Since I am doing the casting, it means that I also get to be in the shows, which is nice. The Rocker lets me basically do whatever I want, and since he is Canadian, we are eligible for a lot of Canadian support and he is introducing me to a lot of contacts in Canada and Asia. Our big problem now is just that events come very slowly as our name is just getting out there. No one really works like this in Asia which means that clients are not used to paying the kinds of budgets we have, so we lose a lot of leads. Once people see the quality we bring, hopefully business will grow. So that’s what I am trying to set up over here. I think that I will know if things are going well by this December. If things are not going well, I will need to rethink my strategy, but so far, I am happy!
I think my big goal is to keep my eyes and ears way open for the next couple of years to learn everything I can about this scene and about producing and directing and making all the contacts I can in Asia. Once nice products are being produced, if the door will still be open in Canada and Asia, we’ll see what kind of opportunities are out there. Hopefully I’ll have a chance to work with my circus school friends again just like what we did in 2003 and 2004, but this time with real budgets! Two years ago, budgets in the millions were totally unthinkable, but when I saw how enormous the budget is for the festival and the new creation in Taiwan I almost died!